Tonight I had the
most amazing experience I have had here yet. My cousin and his wife
got me a ticket to an Iranian pop concert. The two of them and
myself and and Benafsheh's brother and his wife all went together.
Its the first time since I've been here that I've gone out with
and/or spent a good chunk of time with young folks. The scene was
intense; everyone dressed up, excited, pushing and filling up the
large venue.
We were there for the 6pm show, and there would be
another at 9pm. Benafsheh told me that both shows were sold out.
After the initial rush, the room continued to fill slowly. They got
a late start and at the slightest sign of activity from the stage
area (testing lights, someone walking by, smoke machines) hoots and
hollers would rise from the crowd. Benafsheh said “They're here to
have a good time. They don't care what's happening, they're going to
have it!” I didn't really know what to expect, and had mostly came
for the anthropological/culture experience. And. I never could have
predicted what I was about to see.
First, a short
video to get us hyped for the show. Then, the lights hit stage right
to reveal a 10 piece string section being directed by a white-wigged
conductor in short tails. Then, lights pan out, revealing one
acoustic, one electric guitar, a bass player, 2 people playing two
separate sets of key boards, a guy on a drum kit, a guy on hand
percussion, and 3 back up singers. The conductor finishes
conducting his mini-orchestra, then strides to the middle of the
stage, alights the 3 stairs in the middle that lead to the drum-kit
platform, and dramatically removes his grey wig to reveal short,
black hair, and the fact that he's the singer we've all come to see!
Crowd goes wild.
He starts
belting/crooning...the lights flash. The smoke rises. The Orchestra
plays. The song's title traced itself in English letters on the
screen behind. This was a full-on multi-media experience; lights,
music, visuals. Theatrics. The next song began with two minstrels
with horns perched above the stage in small alcoves, trumpeting back
and forth. The third song was about snow and the screen displayed a
shifting montage of snowing scenes.
Everyone sat in
their seats, clapping their hands over head on the funkier songs, a
few dancing in their chairs, singing along often, hooting and
whistling and shouting. In the middle the singer announced he'd be
taking a break, but that the rest of the musicians would entertain us
meanwhile. The band broke into a funk-funk-funky breakdown and
rocked it for 10 minutes. Benafsheh told me that this was the song
of a singer who is banned in Iran and can only perform abroad, but
they were playing it anyway. The singer came back, having
transformed from an all-black out fit to a gleaming white one. More
crooning, more funky breakdowns, more hooting and hollering.
|
pizza! |
Afterward, we all
went to a pizza place; this is where the young folks hang out. I
asked more about the youth culture; do people date? Sahar
(Benafsheh's brother's wife) sighed and rolled her eyes, which
Benafsheh translated as “boy do they ever!” I asked Farshad if
they just hang out, or....and he said yes, both. It sounds like the
heaviest restrictions come from people's families, and Benafsheh said
that even some families are more ok with this now.
|
Sahar, choosing dvds from a street seller |
Then they told me
about the parties young people throw, and showed me some video of
them getting down on the dance floor from a recent wedding. And it
clicked for me. Public life here is so heavily restricted that much
of the social scene is relegated to private spaces; people's homes,
where no-one needs to wear a scarf or manteau and you can dance and
drink (maybe...) openly. I said, “I haven't gotten to connect with
very many young people here” and Benafsheh's brother said “that's
because you're always with your dad!” and he's so right. Then
Sahar and Ahmad (Benafsheh's brother) started planning a party so
that I could meet some more young people.